Analysis Summary:

The article appears mostly accurate based on the available information and general knowledge. The primary claim about PK Rosy being the first Malayalam actress and facing caste-based oppression seems plausible, though direct verification of all details is limited by the provided sources. There's a moderate bias towards highlighting the negative impacts of the caste system.

Detailed Analysis:

• Claim:** PK Rosy, the first actress in Malayalam cinema, was hounded out of her home after playing the role of an upper caste woman.
  • Verification Source #4 and #5: These sources confirm the existence and persistence of the caste system in India, which lends plausibility to the claim that someone could be persecuted for violating caste norms. However, they *fail to cover* the specific details of PK Rosy's life and career.
  • Internal Knowledge: While I cannot definitively verify the claim about PK Rosy being the *first* Malayalam actress or the specifics of her persecution with the provided sources, this is a widely known fact within the context of Malayalam cinema history.
• The claim that she was "hounded out of her home" is plausible given the context of caste-based discrimination.

Supporting Evidence/Contradictions:

• Verification Source #4: "The caste system has long been outlawed; but Indians knew that caste still clings to us all, and in this week's protests has reared its head." This supports the general context of caste-based discrimination in India.
• Verification Source #5: "But for its 'untouchables', oppression and violence are still an everyday." This further supports the context of caste-based violence and oppression.
• Verification Source #1, #2, and #3: These sources are not relevant to the specific claims about PK Rosy or the Malayalam film industry. They *fail to cover* the central claims.

Limitations: The provided sources offer general context about the caste system in India but do not directly verify the specific details of PK Rosy's life and career. My assessment relies partly on internal knowledge of Malayalam cinema history, which is a limitation.